KINO-TEATR

Baker Mamonova Gallery 

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Winter Exhibition:

A Collection of Small Works

The return of Kino-Teatr's favourite flamenco dancer Jesus Olmedo for a Noche de Reyes special.

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Featuring Marina Tamayo & Jesus Olmedo, Adrian Sola, Rut Santamaria & Demi Garcia.

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Nuremberg is a 2025 American historical drama written and directed by James Vanderbilt. Based on the 2013 book The Nazi and the Psychiatrist by Jack El-Hai, the film follows U.S. Army psychiatrist Douglas Kelley (the Academy Award winner Rami Malek) who seeks to carry out an assignment to investigate the personalities of Hermann Göring (the Academy Award Winner Russell Crowe) and other high-ranking Nazis in preparation for and during the Nuremberg trials.

Leo Woodall, John Slattery, Mark O'Brien, Colin Hanks, Wrenn Schmidt, Lydia Peckham, Richard E. Grant and Michael Shannon star in supporting roles. 

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A 2025 dark comedy-drama written and directed by British director Harry Lighton  in his directorial debut, based on the 2020 novel Box Hill by Adam Mars-Jones. The film stars Harry Melling (The Queen’s Gambit) as a timid gay man and the Golden Globe winner Alexander Skarsgård (Big Little Lies, Succession) as an enigmatic biker who start a BDSM relationship. 

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'Funny, touching and alarming' ★★★★ The Guardian
'A steamy art house psychodrama' Variety

'Hilarious and moving' ★★★★ The Times

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A Polish pianist and recording artist based in London, Eva will be performing her new programme which includes Mozart, Garuta Preludes and some Lithuanian Winter sketches by Dvarionas. 

Coinciding with the 10th anniversary of the tragic passing of David Bowie (January 2026), this film will reveal how Bowie’s last chapter became a resurrection, culminating in the haunting and transformative Blackstar, an album that redefined his legacy and offered a profound metaphor for his life, death, and the mysterious power of creativity.

Directed by Jonathan Stiasny (Drive To Survive), the film traces his journey from the professional challenges of the 1990s, to delivering Glastonbury’s most legendary headline set at the turn of the millennium, to crafting Blackstar - the final breath of one of the world’s greatest artists, released just two days before his passing. With it, Bowie cemented his place in history, both as Lazarus rising from the dead and a star blazing with mystery - both an ending and a beginning.

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Drawing on Rogan Productions’ expertise in crafting distinctive music stories (Abba: Against the Odds, Freddie Mercury: The Final Act), the film will offer profound insight into the remarkable late-career transformation of one of the most trailblazing creative visionaries of our time. Through rare archive and intimate interviews, and guided by Bowie’s own words and music, it will bring new meaning to an artist who has long resisted definition.

At one of her lavish parties, celebrated Parisian courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking.

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As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

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Running time: 240 minutes 
Sung in Italian with subtitles

A comedy-drama directed by Scarlett Johansson, in her directorial debut starring the Academy Award nominee June Squibb, Erin Kellyman, Jessica Hecht and Chiwetel Ejiofor. Its plot follows Eleanor Morgenstein, a 94-year-old woman, who strikes up an unlikely friendship with a 19-year-old student in New York City and is dealing with the issues of ageing, Jewish identity, grief and friendship.

A 2025 heist film written and directed by Kelly Reichardt (First Cow) starring Josh O'Connor, Alana Haim, Hope Davis, John Magaro, Gaby Hoffmann and Bill Camp. Set in 1970, the film follows a struggling family man who secretly plots to steal art from a sleepy suburban museum while the nation rages over the Vietnam War. Kelly Reichardt described the film as a struggle between the allure of individualism and the necessity of collective action. The film was inspired by a mixture of real-life events and classic films, including the 1972 robbery of the Worcester Art Museum and the films of Jean-Pierre Melville.

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'Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery' **** The Guardian

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'Kelly Reichardt’s latest detoured story brilliantly turns the genre on its head' Sight & Sound
 

Kianush Robeson playing Andres Segovia & Julian Bream

​Simon&thePope will play some of their trademark hypnotic drum, bass and vocal grooves to help while away that anticipatory hour before The Bavard Bar.

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​What is The Bavard Bar? Well, it has become an institution. The best way to describe it is a delightful blend of TED Talks, comedy, & Radio 4. Sort of...

When you come along to The Bavard Bar, you will hear three regular people share their passions for 15 minutes each. The evening is interspersed with music and audience participation games, such as the "KP Lite" challenge, The "Oojah Kappivvy", and "Make it Stop", amongst others!

Past Bavard subjects range from meteorite hunting to crop-circles, circuit-bending to playing the James Bond theme on Kazoo. You never know what (or who) to expect, as passions (and speakers) are kept secret until the night. There is also a Q&A section after each talk for you to share an opinion, or learn even more about the subject.

And now, in very exciting news, the evening is compered by a special secret guest host… think along the lines of Have I Got News for You!

A night of non-stop intrigue, complete with not one, but two, short intervals. The bar will be open, & snacks will be available. 

Past speakers have included Robin Ince, Professor Simon Schaffer, Dr Ljiljana Fruk, Cole Moreton and David Bramwell.

A great way to meet new people. Come along!

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Hamlet by William Shakespeare
Directed by Robert Hastie

Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.

Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.

National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Programme
Liszt - Années de pèlerinage - Part one Switzerland

Chapelle de Guillaume Tell
Au lac de Wallenstadt
Pastorale
Au bord d'une source
Orage
Vallée d'Obermann
Eglogue
Le mal du pays (Heimweh)
Les cloches de Genève (Nocturne)

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With virtuosity and “enviable idiomatic rigor” (The Wall Street Journal) at the service of “pure poetry” (Seen and Heard International), pianist Derek Wang is drawing increasing acclaim in the roles of soloist, collaborator, curator, and communicator. Derek first came to international attention with his expressive command of the music of Franz Liszt, receiving awards at the 12th Liszt Utrecht Competition in the Netherlands in 2022 (Second Prize) and at the inaugural New York Liszt Competition in 2021 (First Prize).

In 2024, Derek was a prizewinner at the Hastings International Piano Competition, performing with the Royal Philharmonic Orchestra and conductor Rory Macdonald, and a finalist at the Concours musical international de Montréal, performing with the Orchestre symphonique de Montréal and conductor Xian Zhang. A proponent of the music of our time, Derek held a three-summer-long position as pianist of the Aspen Contemporary Ensemble at the Aspen Music Festival. He is presently Creative Enterprise Fellow at Juilliard, where he curates a range of interdisciplinary programs and shares artistic direction of Juilliard Station, a new street-facing performance space.

Derek holds degrees from Juilliard and from the Yale School of Music; he continues studies at the Musikhochschule in Hannover, Germany. His principal teachers have included Stephen Hough, Yoheved Kaplinsky, Matti Raekallio, Boris Slutsky, and Arie Vardi. For the latest concert schedule, please visit www.derek-wang.com

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After a successful premier recital at Kino-Teatr, Simone Tavoni returns with a new programme of Chopin, Bach, Albéniz (Jerez from the piano suite Iberia) and pieces by German-Polish composer Moritz Moszkowski (1854 – 1925). 

Simone Alessandro studied in Italy (Florence and La Spezia), in Budapest (Liszt Academy), Royal College of Music in London and Hochschule fur Musik in Stuttgart.

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He has performed in some major venues in Europe and the UK - the Wigmore Hall, Royal Festival Hall, St. Martin in the Field’s, Steinway Hall of London, Leighton House, Chelsea Art Club, Chichester Cathedral, Winchester Cathedral, Salon Christopher (Berlin), Palau de la Musica Catalana (Spain), Liszt Museum in Budapest (Hungary) and Florence Conservatory Hall.

Legendary filmmaker James Cameron transports audiences back to the breathtaking world of Pandora with Avatar: Fire And Ash, an immersive new adventure with Marine turned Na’vi leader Jake Sully (Sam Worthington) and Na’vi warrior Neytiri (Zoe Saldaña), who have established a close-knit family and built a life with the ocean-dwelling Metkayina. But their peace is threatened when they find themselves on a collision course with a deadly new Na’vi clan: the Mangkwan, also known as the Ash People.

The Songs of Fabrizio De André concert is a creative tribute to Italy’s greatest song writer, by Fabrizio Gonella and Sergio Dogliani, with Matt Armstrong and Jason McNiff. The band includes two  guitars, double bass, ukulele, piano and melodica. 

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Fabrizio Cristiano De André (1940 – 1999) was the most prominent Italian singer-songwriter of his time. His career reflects his interests in concept albums, literature, poetry, political protest and French music. Considered a prominent member of the Genoese School he sang in both Italian and other languages such as Neapolitan, Genoese, Sardinian and Occitan.

Because of the success of his music in Italy and its impact on the Italian collective memory, many public places such as roads, squares and schools in Italy are named after De André. 

Bach, Schumann, Stravinsky, Szymanowski

Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings.

Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.

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Running time: 210 minutes 

Kino welcomes the return of Hastings saxophonist Chris White’s afrobeat project Samaki. With a repertoire based on the sound of 1970s African musicians like Fela Kuti, Tony Allen, and Oscar Sulley,

Samaki brings the afrobeat elements of relentless grooves and soaring melodies to the stage.

The Audience by Peter Morgan, directed by Stephen Daldry.

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Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the Olivier and Tony Award®-winning hit production, directed by Stephen Daldry.

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For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that
shaped a monarch.

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Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.

Later Life Letter tells the story of Luke Wright’s adoption – the life he leads, and the one he might have done. What’s it like to stumble across your birth mother on Facebook? How do you honour the parents who have raised you while satisfying a curiosity about where you came from? Is it telling that you married a social worker?

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Wright navigates his audience through a warm and honest hour of poems and stand-up with the wit, pathos, and silliness that has made him one of the most popular live poets in England. 

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This is a frank account of what it means to be someone’s child told by a performer who really knows what he’s doing. Expect raucous laughter, tear-stained cheeks, and a little smattering of drum n bass.

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“Witty observation and rollicking acuity” 
★★★★ Guardian

“His poems shoot arrows through the heart.” 
★★★★★ List

“A sharpness and wisdom that lifts the soul and soothes the battered heart.” 
★★★★ Scotsman

“A streetwise panache and a sardonic comic verve to rival Stewart Lee.” 
★★★★★ Telegraph

“Honesty, humour, ire and wonder. He is at the peak of his powers.” 
★★★★★ Stage

A duo formed by a  British bass clarinettist Hannah Shilvock and Bulgarian clarinettist Boyan Ivanov, now based in London. Both acclaimed musicians performed at Kino-Teatr before as solo performers. We are looking forward to welcoming their new programme!

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.

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Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

140 mins includes one interval
 

Karl Lutchmayer is equally renowned as a concert pianist and a lecturer. He performs across the globe, and has performed at all the London concert halls. He has broadcast for the BBC, All India Radio and Classic FM, and has lectured at institutions including the Juilliard School, the Manhattan School, and the University of Oxford. Karl studied at Trinity College of Music Junior department and at the Royal College of Music and subsequently, for 15 years, was a
senior academic lecturer at Trinity Laban.

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He is currently undertaking research at the University of Cambridge alongside leading music education projects and nurturing young musicians in India, his family home. It was for this work that he was awarded the Bharat Gaurav (Pride of India) Lifetime Achievement award in 2015 and the Indians of the World Medal in June 2022.

Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber...

Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s
treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.

330 mins
German with English subtitles

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of
men – but help, it turns out, comes when you least expect it.

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Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

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210 minutes
Sung in German with subtitles

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Near Jazz Experience + Anthony Moore & Friends

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Two locally connected acts return to Kino-Teatr. 

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Between them they have worked with the likes of PJ Harvey, Robert Wyatt, Pink Floyd, This Heat, Nick Cave, Alex Harvey, Jerry Dammers and many, many more.

Near Jazz Experience (The N.J.E.) and Anthony Moore both released critically acclaimed albums in 2025, 'Tritone' and 'On Beacon Hill', respectively. It is a distinct possibility they may perform tracks from these live.

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late.

The Met’s evocative production, directed by Tony Award–winner Deborah Warner, 'offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance' The Telegraph.

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Running time: 245 minutes, Two Intervals
Sung in Russian with English subtitles

Franz Schubert & Frederic Chopin 

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Moments Musicaux, D. 780 No. 1 

Mazurka, Op. 63 No. 2 

Moments Musicaux, D. 780 No. 3 

Mazurka, Op. 7 No. 4 

Moments Musicaux, D. 780 No. 6 

Mazurka, Op. 6 No. 2 

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Erik Satie & Claude Debussy 

Gnossienne No. 1 

Clair de Lune 

Je Te Veux 

The Snow Is Dancing 

Gnossienne No. 4 

Minstrels 

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This recital pairs Schubert with Chopin, and Satie with Debussy — composers who found remarkable expression in intimate musical forms.

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Schubert’s Moments Musicaux and Chopin’s Mazurkas share a quixotic nature and the spirit of experiment. Both explore surprising turns of harmony and rhythm: Schubert through shifting moods and unexpected modulations, and Chopin through subtle rhythmic inflections that transform the Polish dance into something deeply personal and poetic.

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In the second half, Satie and Debussy reflect a friendship marked by both admiration and tension. Satie’s Gnossiennes and Je te veux reveal his spare, unconventional style, while Debussy’s Clair de lune, The Snow Is Dancing, and Minstrels expand these ideas with greater colour and nuance — shaped, too, by the lingering influence of Chopin. 

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Together, these works trace a path from Romantic intimacy to modern refinement, showing how small forms can hold entire worlds of imagination.

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